Tag: Avram Davidson

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Fantasy Fiction Literary Fiction Science Fiction

The Avram Davidson Treasury: Final Stories & Final Thoughts

*Breathes* is it over? Did I finish? Yes I did!

I’ve written on the prior sections of the Treasury in earlier posts, and now will sum up my thoughts on the final two sections and the collection in general.  Before starting, I noted that for an author that is rarely if ever circulated now despite his massive early  influence, it’s interesting to look at all the awards that he won or was nominated for.

http://www.sfadb.com/Avram_Davidson

How many authors win awards all across the mystery, sci-fi, and fantasy genres?  The entire Treasury itself also won and was nominated multiple times. Naples won a world fantasy award.  Davidson is like a shadow, an influential and widely acclaimed author that everyone seemed to love but now hardly anyone knows or talks about anymore. 

General thoughts

As far as The Seventies and newer stories, I largely liked Davidson’s older works much more than the newer ones. I have been reading through the collection slowly to avoid burn out but so much of the later stories just went straight over my head. Should I have DNF’d? Idk, I wanted to sample the works across the years.  I can’t say why the last bunch were my least favorites other than that I just tended to not understand them, or be bored by the long and winding trails from point A to point Avram.

I’ve been reading the collection since the end of January and definitely struggled at times, but feel like I learned a lot about genre history, general history, many odd facts, and about myself and my own reading habits where I love eclectic & brilliant minds but struggle to keep up sometimes.  If an author gives the editors hell and is considered Out There, I will gravitate towards it. (Y’all remember the Bukowski kick I went on recently)? That said, I can also admit when an author is just far, far too smart for me.

In the afterward, Ray Bradbury (my favorite short fiction writer, sorry Avram) agrees and stresses that reading one or two stories a night depending on the length is the best and only way to consume a book like this.  I also would stress that Davidson’s style starts ‘in a fog’ (Bradbury) and then slowly reveals itself, often times making us wait until the last paragraph or even the last sentence to get “the point” of the story. And oh, you’d better have been able to follow Davidson’s train of thought along the way too 😅. That’s where he lost me towards the end.

I’m not sad. I don’t feel like I wasted my time reading these. I tried. If you want to try too, go for it. I think this is a great collection to get some highlights of his work and related words from other authors. I think Davidson has some great classic stories that deserve to stay in circulation today, but there’s always going to be a lot of ‘other’ to wade through.

The 70’s

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From my final batch of stories, I’d like to nod to my favorites: essentially everything from the 70’s I loved except Manatee Gal, Wont You Come Out Tonight. Crazy Old Lady is sad and Selectra Six-Ten is hilarious. Obviously Polly Charms has much attention as well.

The 80’s & 90’s

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This final batch just did not connect with me. The Slovo Stove was probably my favorite because if nothing else, I thought the running joke and legitimate but impossible interest in obscure customs was hilarious. As a group these went over my head

Final thoughts

The last thing I’ll do is share an article I found by Henry Wessels

He wrote one thing that I feel wholeheartedly and have mentioned before while reading some of these stories, which is that reading Davidson just makes me feel like my reading is lacking in so many ways.  So many great authors and great  stories are mentioned that I’ve never even heard of. It makes me feel inadequate 😅 I hope Wessels won’t care that I linked to his article, it’s something I do when frankly someone just says something more eloquently than I can!

Anyway, these are my thoughts and I hope you’ll check out my other writing on Avram Davidson as I’ve made my way through this wild, difficult, wonderful book!

Categories
audiobooks Fiction Mysteries Science Fiction

The Avram Davidson Treasury: The Sixties (How I’m Getting the Hang of This)

I’m still reading a story here and a story there, and I’ve now made it through The Sixties! The first thing I’d recommend doing is checking out my intro post that also covered stories from the fifties, as I’m not going to repeat myself about the author and collection in general

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In general

Jumping right in, I think I moderately enjoyed the stories from the Sixties more than the Fifties.  Davidson’s penchant for language and linguistics came out in a more accessible format for someone like me, who’s not a genius and just likes reading good stories.

The Real MVP is Spider Robinson’s intro to Sacheverell, because it’s hilarious and now I want to read everything Spider has written. Anyone recommend where to start?

The magic of a google search

Many more good points were made by the authors introducing the stories, the main one being that most of the time Davidson omits “the point” on purpose, and leaves the reader to connect the dots.  I’m not good at this.  LeGuin pointed out that he throws in a lot of humor and extras, to see if people know what they mean, like the term “freemartin”, and it enhances the stories obviously if you catch his hints. That said, I’m so worried that I’m missing a lot of jokes and insights 🤣

A few of the stories so far have just made no sense to me whatsoever, so I jotted down a few keywords and did a Google search. Walla, boom, like magic, a historical backdrop popped out. (I’m looking at you, The Price of a Charm).

Frankly I’d just love to read these stories with someone who’s a better literary critic, because most of my insights are coming from the author intros and I’d miss the cool things if not for them, but I’m getting the hang of this!

Let’s talk about a few specific stories for kicks:
  • I read The Sources of the Nile twice, a few days apart, and I made more connections the second time around. Davidson had a lot of angst about what publishers & the public are looking for, I think, and he probably got a kick out of  writing this one
  • The Affair at Lahore Cantonment won an Edgar Award for best short story, and was on my reading list anyway for “reading that takes place in, or has meaning in London“. Personally I’m most enjoying the stories influenced by Davidson’s travels.  On the other hand, this is one of the stories that makes me feel like I don’t appreciate good literature enough.
  • I’m probably dumb. I thought Revolver had some good use of irony but I couldn’t see the humor 🤣
  • The Tail-Tied Kings … This was just weird and mildly disturbing, I don’t want to think about it any more LOL
  • The Price of a Charm I already mentioned above: this is the story that could have been read for what it was, until the end, where something happened and cast the rest into a light that made no sense. Well, insert Sarajevo into a search engine and BAM (no pun intended), a little background carries some of these stories a long way!
  • Sacheverell I also mentioned above, frankly I just took the story for it’s surface value (some guy kidnapped a talking monkey) but it’s a layered story. I just listened to a podcast about it prior to writing this. Anyway, the real MVP was Spider Robinson’s intro to the story
  • The House the Blakeney’s Built I also mentioned above, especially about LeGuin’s intro too.  This is a great story about what Davidson thought a colony would look like about 500 years after a family’s ship crashed.  Hint: it’s not Star Trek where everyone is still a genius.  I loved this one and how the language had devolved. Real or fake, he can write language!
  • The Goobers was straightforward and fun, loved the ending
  • The Power of Every Root … I feel like I should have guessed the ending based off the title but I had gotten too lost in Davidson’s depictions of everything.  As I said, the stories influenced by his travels are my favorites and I’m pretty sure he loved Mexico

Give me a couple more weeks and I’ll read the Seventies! I am reading this collection through a hardcover that I bought years ago, and partially through Audible as the book is currently free with membership. That small print gets me after a while! As always, all opinions are my own

Categories
Literary Fiction Science Fiction

The Avram Davidson Treasury: The Fifties

I’ve been following the SFF community for a few years now, four of which I’ve been fairly active online, and I can honestly say that I’ve never once seen Avram Davidson mentioned in any sort of bookish dialogue.  I’ve been trying to read more short stories, sample different American authors, and I’ve been holding onto the Avram Davidson Treasury for years now without reading it too closely. I tend to gravitate towards authors who are eclectic, are known to clash with publishers, and have found another to feature on veterans day as Davidson was a medic with the Navy in WWII.

Anyway, over the past few weeks I’ve read a story here and a story there, and have finally finished the first section: stories from The Fifties.

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This is a cool book though. The cast of science fiction authors who selected and introduced stories are a true who’s who of everyone, sharing fun facts about the author himself and the stories within. I don’t know if I would have picked up on a lot of idiosyncracies and plot points without those comments, and I feel like I’m learning a lot about early SFF in general

Peter S. Beagle calls our attention to the careful language used in ‘Ogre in the Vly‘, a theme that I did notice throughout. Davidson tends to pay a lot of attention to accents and language in general.  The Hugo winning short story “Or All the Seas With Oysters” is introduced by Guy Davenport, saying how the story lives on through plagiarism and it’s tenacity in making everyday objects into something so sinister.

Some I really enjoyed (Help! I am Dr. Morris Goldpepper and The Golem), some were sad (Now Let Us Sleep) and others I had to read a few times before grasping but laughed at the end (Author, Author).  Others just went over my head, like Dagon, Ogre In the Vly and Take Wooden Indians. I can see where Or All the Seas With Oysters won a Hugo but also, some of these are just good reading. Others, uh, not so much.

This post just deleted half of itself somehow and I can’t even think of what is missing, send help… I know I had commented in general that short stories are hard.  Trying to glean meaning and “what I’m supposed to be getting out of them” can be hard, especially when it’s 2023 and these were written in the fifties.  That’s why I liked the author introductions so much.  I always feel dumb reading short stories because I forget them SO quickly too.

If I missed anything I have four more eras to write about here and am curious to see how his writing changes over the years.  I’d also be interested in checking out the episodes of The Magazine of Fantasy and Science Fiction that he edited, to see what eclectic types of stories he brought in.